• As 副教务长, Kyle Gillette supports free expression, civil discourse and civic engagement. He leads university efforts to hold space for conversations across differences. He works with colleagues throughout the university to develop cultural opportunities on and beyond campus and leads the planning process for 澳门金沙线上赌博官网’s Autumn Festival of the Arts. Gillette is also the 学术事务 liaison to the Dean of 学生 office and provides strategic leadership for the office of Academic Advising as well as the Center for Experiential Learning and 事业成功. He offers administrative oversight for the Academic Honor Council.

    在担任目前的职务之前，他是. Gillette served as the Special Adviser to the Provost for Expression and Civil Discourse, the Acting Dean of Arts and Humanities and the Director of Theatre. A Professor in the Department of 人类交流与戏剧, his courses range from theatre history and dramatic literature seminars to performance laboratories where students reimagine ancient tragedy, explore modern realism or create pieces inspired by avant-garde manifestos. 作为导演, Kyle has staged plays from Ancient Greek tragedies to modern classics and new and devised works.

    作为一名学者. Gillette has written three books and more than a dozen articles, chapters and reviews published in journals and collected volumes. His research explores the aesthetics of travel, 城市文学, the influence of transportation technologies on theatrical space and time and philosophies of perception. 他获得了博士学位.D. 斯坦福大学戏剧专业毕业, where he also served as a Postdoctoral Teaching Fellow in the Introduction to the Humanities program.

    • Ph.D.斯坦福大学
    • B.A.澳门金沙赌城线上游戏

    书

    • The Invisible City: 旅行, Attention and Performance (London and New York: Routledge, 2020).
    • Thornton Wilder’s The Skin of Our Teeth, Fourth Wall (London and New York: Routledge, 2016).
    • Railway 旅行 in Modern Theatre: Transforming the Space and Time of the Stage (Jefferson, NC:麦克法兰, 2014).

     

    章

    • ​“Visible Cities: Calvino in Performance,” Invisible Cities and the Urban Imagination ed. Benjamin Linder (Cham, Switzerland: Palgrave Macmillan, 2022).
    • ​“’My Portrait Come to Life’: Visions of Self in Pirandello’s Henry IV” in Pirandello’s Visual 哲学, ed. Lisa Sarti and Michael Subialka (Madison, NJ: Farleigh Dickinson University Press, 2017).
    • "Realism"; "Imagined Cities: after Calvino"; and "Triptych" in Imagined Theatres: Writing for a Theoretical Stage, ed. Daniel Sack (London and New York: Routledge, 2017).

     
    文章

    • “Six Characters in 搜索 of a Legacy,” Pirandello Society of America 33 (2020-21).
    • ​“Poor Things: Naturalistic Props and the Death of American Material Culture in Sam Shepard’s Action,《澳门金沙赌城线上游戏》25.2(2013年春季).
    • ​“Zen and the Art of Self-Negation in Samuel Beckett’s Not I,” Comparative Drama 46.3(2012年秋季).
    • ​“Improvising New Rituals for the Bacchae,” Theatre/Practice 1.1(2012年春季).
    • ​"Upholstered Realism and the Great Futurist Railroad: Theatrical ‘Train Wrecks' and the Return of the Repressed,绩效研究15.2(2010年夏季).
    • ​“Loco Motion: Railway 感知, Relativity, and the Stage,” Performance 研究 12.2(2007年夏季).
    • ​“’A Hole in the Paper Sky’: Psycho-Scenographic Rifts in Pirandello’s Henry IV,” Modern Drama 48.1(2005年春季).
    • 戏剧文学
    • 城市研究
    • 旅行
    • 感知
    • 哲学
    • 性能的研究
    • Chair of the Advising and Registration Committee 
    • Editorial Board of 圣澳门金沙赌城线上游戏 Press 
    • 组建强大的QEP实施团队 
    • 集体阅读评选委员会 
    • 梅隆督导委员会 
    • Association for Theatre in Higher 教育 
    • 美国戏剧研究学会 
    • 国际表演研究